I work with two professional camera bodies and a selection of fast prime lenses. It's a simple, carefully considered setup that gives me the freedom to work in almost any lighting condition, without being tied to equipment or interrupting the rhythm of the day.

Light is a fundamental part of how I see and photograph a wedding. I love working with what's already there: natural daylight, the warmth of tungsten lights, candlelight, the shadows of a room or the atmosphere of a crowded dance floor. I rarely use flash, because I believe that preserving the original light is also preserving the feeling of a place and a moment.

My approach is rooted in documentary photography, but influenced by fashion, cinema and music. I'm interested in the unexpected, in gestures and expressions, in the relationship between people and their surroundings. I like photographs that have a certain tension, atmosphere and visual character — images that feel spontaneous but are never careless.

I don't believe in directing every moment or turning a wedding into a photoshoot. I'd rather observe, anticipate and let things happen. Of course, I'll step in when a portrait or a little direction can make a difference, but always without losing sight of what makes the day unique.

I'm not interested in making every wedding look alike, or in following a predefined aesthetic. Every place, every couple and every celebration has its own personality. My job is to recognise it and translate it into photographs that are honest, distinctive and personal.

In the end, I want my photographs to feel less like a collection of wedding pictures and more like a visual story: with its own rhythm, atmosphere and unexpected beauty.